Alumni Life

Guest Blogger: Peter Dunn

coal, before and after it's been in the forge

Mike Tarkanian holds a lump of bituminous blacksmithing coal (right) and a lump of coke (left). Coke is coal reduced to nearly pure carbon after all the volatile compounds have been burned off in the forge. Photos: Peter Dunn.

Mike Tarkanian ’00, SM ’03, a lecturer in the Department of Materials Science and Engineering, is a friendly bearded man with a shaved head and the stout hands of a smith. He honors an ancient practice, standing in a basement room in Building 4, surrounded by anvils, cabinets full of hammers and tongs, a coal bin, and the three barbeque-grill-sized forges that he oversees.

“There’s something about heating things up and smashing them with a hammer that’s universally appealing,” he adds.

That clearly holds true at the Institute, where hundreds of students apply annually for 54 openings in Tarkanian’s IAP class in blacksmithing, and dozens of MSE students work at the forges every semester as part of their Materials Laboratory (3.014) and Materials in the Human Experience (3.094) classes. Tarkanian and MSE Professor Sam Allen also offer a Freshman Advisor Seminar to about a half-dozen incoming students each year.

at the forge

A wide variety of tongs, like the ones being shown by Mike Tarkanian, is essential equipment for any blacksmith. Tongs are often fabricated by the smith for a particular project.

On one level, working at a forge provides deeper comprehension of things like the effects of carbon content on steel or the difficulties of making alloys. But more broadly, says Tarkanian, “craft-based, history-based teaching gives engineers a human connection and a social context.”

Moreover, adds Tarkanian, who discovered the forges as a freshman working with his predecessor, Toby Bashaw, the experience provides important insights for engineering management, especially in manufacturing. “A student who graduates and becomes a boss is much better off if they’ve made things—whether it’s forging or machining or 3-D printing. You need to know the possibilities and the pitfalls, the importance of sequencing, the details that make something look professional. If you don’t, you won’t be effective and you can look foolish.”

Currently, MIT’s forges share space with the MIT Glass Lab. A proposed renovation would incorporate a room across the hall for an expanded metalworking facility and give the Glass Lab the entirety of room 4-003.

While the bigger space might incorporate some gas-fired forges and pneumatic hammers, Tarkanian says basic forges, not unlike those of 6,000 years ago, will remain the program’s centerpiece. “Managing a coal fire and using traditional tools helps people learn the craft better,” he says.

“Today a lot of people are asking, what’s the role of residence-based education,” notes Tarkanian. “Well, it’s stuff like this—you can’t hammer steel through your computer.”

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Over 75% of Americans live in urban areas, a number that has risen steadily in the past century.

Ensuring that cities are comfortable places to live for those growing numbers is tough. How best to house everyone? Get them to commute in eco-friendly ways? Provide families and children with fresh, healthy food?

Julie Lein GM '12. Photo: Sloan Women in Management.

Julie Lein GM ’12. Photo: Sloan Women in Management.

Doing so—on a large scale—requires creative thinking and smart solutions. Two MIT Sloan alumnae, Clara Brenner GM ’12 and Julie Lein GM ’12, aim to fund such thinking with a new startup based in San Francisco.

Tumml, which launched this spring and which comes from a Yiddish word for “shaking things up,” arose out of a study the two women did while at Sloan. After surveying startups nationwide, they found that a mere 15% of those that focused on urban problems got seed funding.

Brenner and Lein think of Tumml as an “urban impact accelerator.” Calling attention to that low result in the venture capital community, the two alums aim to foster creative entrepreneurs who are eager to make city living better. Brenner’s background in real-estate and alternative financing has combined well with Lein’s background in urban education and nonprofit advocacy in forming Tumml.

“At the same time that more people than ever are living in cities, the fiscal climate means that cities are less able to provide certain services and quality of life,” Lein said in an interview with VentureBeat. “Entrepreneurs can shoulder that load. There is such a market opportunity here. This is where entrepreneurship should enter, there is so much they could do. We were curious why more entrepreneurs are not stepping up to fill the gap.”

Tumml’s first project will be hosting ten “promising, for-profit companies” to work in their San Francisco office, appropriately named The Hatchery. Each for-profit selected for the 12-week residency will receive $30,000 in free services along with office space as they conceive of and launch their solution.

At the end of each cohort, Tumml will work with startups to pitch their projects to investors, potential clients, or government agencies.

“There is not necessarily a place for entrepreneurs to go right now when they want to solve a problem in their own backyard,” Lein said. “We want to be the place that addresses those needs, and create a meaningful pipeline of urban impact entrepreneurs to prove that these companies have the ability to succeed, and people have the ability to shape our cities in important ways.”

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Guest Blogger: Debbie Levey, CEE Technical Writer

kortney adams sm 00

Kortney Adams SM ’00.

Kortney Adams SM ’00 transformed herself from environmental engineer to professional actor in the past decade, a process that has been at best a complicated one. Although she dabbled in drama in high school, Adams describes herself as “a classic engineering kid who took things apart and put them back together to see how they worked.”

As an engineering undergraduate at Washington University at St. Louis, Adams continued to act in her spare time. In her first job with an environmental consulting company, Adams traveled continuously to supervise hazardous waste cleanup sites. She no longer had time for theater, and that made her miss it more.

Coming to MIT to pursue graduate work, Adams assumed that her future professional responsibilities would likewise make acting impossible. She decided that it was “my last chance, so I was almost constantly in shows,” she says. “My advisor, Professor Trish Culligan, was very patient.”

“I have a special fondness for MIT because I feel like I found my art there,” says Adams. “I loved working with so many creative people and not feeling blocked out just because I was an engineer.”

Among her many memorable parts on campus: the title role in the MIT Shakespeare Ensemble’s production of Richard III.

After graduating with a master’s in engineering, the private sector beckoned but Adams demurred.

“I enjoyed consulting, but something else was calling me,” said Adams. While she felt that she could be perfectly content with environmental engineering, “I wanted to shoot for blissfully happy.”

Adams spent the next year working in a travel agency while figuring out what direction to take. “When 9/11 happened, suddenly the travel business tanked. Everyone reexamined what they were doing in their lives,” she remembered.

As a new year’s resolution that winter, Adams decided to become an actor.

Photo: Elizabeth Stewart.

Adams performing at the Central Square Theater. Photo: Elizabeth Stewart.

Other people who made a transition to acting after their MIT years gave Adams advice. These included Teresa Huang ’97, a script writer, producer and actress in Los Angeles. After a year, Adams accumulated enough jobs to quit her temporary job as bartender and has been a full-time actor ever since. Her credits include movies, commercials, plays, and other performances. Adams narrated Make Way For Ducklings with the Boston Landmarks Orchestra in 2003.

Clearly, her work has paid off. The Boston Globe praised Adams’s portrayal of a pregnant artist in From Orchids and Octopi, citing both her “warmth and intelligence” in her character’s “complex, changing, and utterly believable relationship with her husband.” Reviews for other roles described her as “classy and elegant” and complimented her “layered and intelligent performance.”

This spring, Adams will star in the Wheelock Family Theater’s production of Pippi Longstocking in Boston.

“One of my favorite things about being an actor is how much I learn that I wasn’t exposed to as a math and science kid,” Adams says. “I love getting to step into the shoes of all these different people and different cultures. Now I’ll get to learn about Pippi Longstocking and why kids love her.”

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Just a few blocks from where the Boston Marathon bombing suspects allegedly murdered an MIT police officer, a panel of experts convened on May 1 for a conversation entitled Marathon Bombing: The Global Context.

Who is to blame for the intelligence gap between Russia and the United States before the bombing? Was the bombing an act of religious fundamentalism? Will this event make Boston into a more monitored city, like London, with cameras on every street corner? The panel explored these and other questions on Wednesday.

MIT Security Studies Program senior advisor Jeanne Guillemin discussing the marathon bombing.

MIT Security Studies Program senior advisor Jeanne Guillemin discussing the marathon bombing.

Moderated by Ford International Professor of Political Science and Center for International Studies director Richard Samuels, five MIT professors and scholars provided several contexts surrounding the bombers’ ideology and theorized about the policy impacts the bombing might have in the weeks, months, and years to come.

MIT history professor Elizabeth Wood best summed up the purpose of the Starr Forum talk.

“Unless we understand the perpetrators of violence as individuals situated in history, as individuals situated in causes that are larger than their own biographies, we cannot understand what happened last week at the Boston Marathon,” Wood said.

How much did being natives of the Caucasus region influence the Tsarnaev brothers? Wood and Carol Saivetz, a research affiliate at the MIT Security Studies Program, explored this question, describing the past century of Chechnya’s tensions with Russia, highlighting how the Tsarnaev family lived through each turbulent decade.

Saivetz’s slide, Tsarnaev Chronology: A Tale of Two Brothers, detailed the family’s moves throughout the region since 1944, when Stalin deported thousands of Chechens to work camps. The family’s move to Dhagestan in 2001, when the boys were eight and fifteen years old, was a result of the violence in the second Chechen War, Saivetz said.

Bakyt Beshimov, a visiting scholar at the Security Studies Program and a native of the Caucasus region, certainly links the Tsarnaevs’ mindset to their homeland.

Beshimov watched every video, read every internet post, and listened to every song that inspired Tamerlan Tsarnaev. “His inner search was, in my view, affected by the struggle in his own country, jihadism in the Caucasus and the global Islamic radical ideology,” said Beshimov. “This mindset puts many Chechens into a vicious circle of revenge.”

Several panelists conjectured that the bombing might justify crackdowns and human rights abuses in Russia, particularly ahead of the Winter Olympics in Sochi next year. Then there were the questions of what precedents the Boston response will set in cities around the globe.

CIS research associate and assistant professor at Boston College Peter Krause PhD ’11 mused, “Is a lockdown something we’re prepared to do again and again? What about domestic drones for national security or the government reading our email?”

“I’m not going to counsel one way or another on the [issue of] over- or under-reaction,” Krause said. “I’m confident about this: that understanding when and why these things happen is going to lead to better answers as a society…and I’m encouraged by the people who are here today.”

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Chunka Mui '84

Chunka Mui ’84

MIT has more than 126,000 alumni and nearly 100,000 live away from the Boston-Cambridge area. And while alumni away from campus can feel separated from Institute happenings, there are many ways to stay connected.

An example of this is View from the Top, an Alumni Association event that brings together Institute alumni and community members for networking and discussion in locations throughout the U.S. The interactive events feature prominent alumni who share their professional journey and provide perspectives on innovation, entrepreneurship, and the role MIT played in their lives and careers.

Smita Shah SM '96

Smita Shah SM ’96

The most recent event, “Innovative Thinking, Chicago Style,” took place on Thursday, April 25, 2013, and focused on a variety of topics, including the future of the automotive industry, innovations in printing technology, hiring strategies, and the perils of building a company from scratch.

The program, which was moderated by Scott Marks ’68, SM ’69, former vice chairman of the First Chicago NBD Corporation, and featured GrubHub co-founder Michael Evans ’99, MNG ’00; author Chunka Mui ’84; and entrepreneur Smita Shah SM ’96 and Gordon Smith SM ’90, ScD ’93, CTO of GSI Technologies.

Mui began the program by sharing one simple business strategy: Start small, think big, and learn fast. He discussed the dichotomy between Google’s innovative self-driving car with the slowly-evolving strategies of traditional vehicle manufacturing—a $35 trillion industry.

“Failure comes from companies that only rely on incremental change—that’s thinking small,” Mui said. “Companies like Google rely on the law of disruption, which is basically making changes based on advances in technology. That’s thinking big.”

Evans, a finalist for the 2011 Ernst & Young Entrepreneur of the Year Award, shared the origins of Grub Hub, which began as a side project in 2004 and now has investment funding of more than $84 million. GrubHub is a web-based company that allows users to find takeout restaurants and order online for free.

(From left) Smith, Mui, Evans, Marks, and Shah

(From left) Smith, Mui, Evans, Marks, and Shah

“In true MIT fashion, GrubHub started as an all-nighter,” he says. “It started as a small idea—I was basically sick of ordering pizza from the same place. So I took this problem and tried to write a code to solve it.”

Evans also discussed the company’s rapid evolution, which featured new technology, employees, and strategies.

“Innovation is, to a large degree, identifying problems,” he says. “Sometimes you can break those problems into smaller problems. We tackled questions like ‘How do we make service better?’ and updated technology like switching from fax orders to tablets.”

Shah, the CEO of the SPAAN Tech engineering firm discussed how her MIT education helped prepare her for a successful professional career.

The Chicago alumni host committee: Christopher Resto ’99; Alex Menchaca ’85; Claudia Perry ’81; Aaron Barlow ’86: and Benjamin Hellweg ’97, SM ’00.

The Chicago alumni host committee: Christopher Resto ’99; Alex Menchaca ’85; Claudia Perry ’81; Aaron Barlow ’86: and Benjamin Hellweg ’97, SM ’00.

“MIT is home to the best virtues of education—it’s elite but not elitist,” Shah says. “The school of life can be hard and MIT prepares you for that. You have to be good to be part of the MIT club but you’re encouraged to do well. It takes a very structured approach.”

Smith discussed how his MIT education prepared him for a career beyond his degree in chemical engineering.

“Innovation can take time,” he says. “It doesn’t happen overnight. But it’s important to adapt technologies from sister markets—it’s something our company has been very successful with.”

Other recent View from the Top events include “Global Capital Markets,” which was held in New York and featured Goldman Sachs director Armen Avanessians ’81, and “Exploration: New Frontiers in a New Era,” a Houston event moderated by Emmy-winning meteorologist Gene Norman ’82.

The program, which began in 2008, has also taken place in Boston, London, San Francisco, and Los Angeles. Check the Alumni Association site for information on future events.

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The photo that appeared in the Boston Herald Traveler.

The photo that appeared in the Boston Herald Traveler.

Hacks at MIT are a pastime that prides itself on secrecy—watching a hack unfold in anonymity is part of the fun. Despite this, most recent hacks are well-chronicled. The online MIT Gallery of Hacks has summaries of more than 200 Institute hacks dating back to 1989.

There is less online information on hacks pre-1989, but they are no less imaginative and clever. Inspired by a recent revelation, one alumnus has provided Slice of MIT with detailed info a decades-old hack that briefly gained national media attention: The Great Snow Hack of 1968.

The alum requested anonymity and will be henceforth referred to as Mr. Snow.

Unlike many hacks that take months of preparation, the Great Snow Hack wasn’t planned. It was the result of boredom on a freezing-cold January night.

“It was a bitter winter, even for New England,” Mr. Snow says. “We were bored to death in the dorm and there was so much snow outside. So we thought, ‘Let’s go have a massive snowball fight—inside.’”

The students gathered buckets of snow and filled the dorm’s shower stalls. But the dry air made it difficult to mold a snowball and the students turned on the shower to get the snow more damp.

“It caused a huge amount of steam,” Mr. Snow says. “You couldn’t see two inches in front of your face. So we opened the windows and let a bitter wind into the stall. It looked like a complete blizzard.”

Sensing the opportunity for a hack, the students called the Boston Herald Traveler. “We called the paper and said, ‘We figured out a way to make snow in the shower.”

The Traveler sent a reporter and a photographer. When the photographer arrived, he entered the shower stalls and was met with a mix freezing wind, whirling snow, and hazy steam.

“The photographer said, ‘I can’t take a picture. You can’t see anything,’” Mr. Snow says. “We told him, ‘If you want to stop the snow, just shut the shower off.”

The students convinced The Traveler that they had invented a shower nozzle that makes snow. The paper fell for the gag and featured the crew in a photo and article in the next day’s paper. (The newspaper is occasionally on display at the MIT Museum.)

More publicity followed and the Baker House students were contacted by Time, Newsweek, the Associated Press, and other wire services.

“It caused a big sensation in Boston—other schools around the city tried to recreate it,” he says. “Other schools called us and said, ‘How do you do it? We’re not doing it right.’”

Snow in the shower also became a hot topic on call-in radio and a subject of scorn from another Cambridge university.

“Harvard students got upset and call a few radio stations saying it was impossible—which it was,” he says. “Of course, we had some engineering majors call the same shows and say, ‘Of course Harvard can’t do it—they’re using the wrong-size nozzle. They don’t know how to engineer a correct shower system.’”

The Baker house students eventually got a cease-and-desist order from an MIT dean, but the hack had been accomplished. An evening or boredom resulted in a brief media sensation.

“The hack wasn’t making fake snow—it was the gullibility of the press,” he says, “They fell for the idea that the MIT students had created a snow-making machine. They were never smart enough to say, ‘Show us how to do this in another shower.’”

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Though most of William Shakespeare’s references to the beaver involve hides of the skilled engineer-mammal worn on the heads of nobility, you’ve got to think that had he lived now, he might forgo Oxbridge and head to MIT.

Julius Caesar, March 2013.

Julius Caesar, March 2013. Photo: Melissa Renée Schumacher

He’d fit right in. The bard’s love of science and engineering is quite evident in his works, from his observational study (“Smooth runs the water where the brook is deep”) to his lab-rat verse (“Eye of newt and toe of frog, wool of bat and tongue of dog”).

And Shakespeare’s work has had a home on the Charles since 1992, when Ford Foundation Professor in the Humanities Peter Donaldson created the MIT Shakespeare Project. Wouldn’t you love to sit with Shakespeare as he surfed through the MIT Electronic Archive of his works?

Most endearing for Shakespeare, whose 449th birthday we celebrated on April 23, might be to take in a production of the MIT Shakespeare Ensemble, like their recent performance of Julius Caesar.

This spring’s production riffed on the classic tale by casting females in two of the leading roles: Brutus and Cassius. Ensemble president Katie Roe (Brutus) enjoyed bringing that gender complexity to the stage to add to the themes of power, pride, and corruption. In the second week of performances, the ensemble invited alumni from past performances back for a reception.

Shakespeare knew that blood sells tickets (the word appears 447 times in Macbeth), so the ensemble knows to take it seriously, too, even assigning a “blood tech” to the stage crew.

Romeo and Juliet, Fall 1992.

Romeo and Juliet, Fall 1992.

“Our first weekend, we had some interesting experiences with getting the blood packets to pop at the right place at the right time,” said Roe. “It’s a challenge. This semester, we also ordered the blood from a company rather than make it ourselves. But we have several recipes we’ve used in the past.”

Staging Shakespeare well is always a challenge. Jim Walker ’79, who performed in eight plays during his undergraduate years, has many fond memories, like playing Falstaff with an enormous fat suit, “which made me sweat like crazy,” he recalled.

Patrick Gabridge ’88 remembered hauling the stage, piece by piece, out of Walker for the ensemble’s 1987 production of Much Ado About Nothing.

“I think it was the last production before we used modular portable staging. But something about constructing the stage together was a very useful ensemble building exercise.”

How to toast the Bard these days? April is National Poetry Month, a good reason to crack open his sonnets and enjoy a little iambic pentameter. Consider it the 16th-century equivalent, perhaps, of finely crafted C+ code.

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An Emerge participant showing off some of her jewelry creations.

An Emerge participant showing off some of her jewelry creations.

For some women—and girls who have had to grow up too fast—hope is a rare commodity. In Sri Lanka, for example, girls who survive rape or incest and who choose to confront their attackers in court are ostracized from their homes and denied schooling, many pregnant or with infants in tow.

Alia Whitney-Johnson ’08 first encountered these girls in 2005 on a tsunami-relief mission to Sri Lanka sponsored by the MIT Public Service Center. She visited a shelter housing them and was struck by both their courage—they were fighting for the safety of their younger sisters and for a better society for girls in general—and their lack of community. Some of them would not talk to one another or work together.

Though there was a communication barrier, Whitney-Johnson found common ground through jewelry making. She shared beads she’d brought (she’s an avid jewelry maker), taught the girls how to fashion necklaces and bracelets, and witnessed a transformation. “The girls were hesitant at first,” Whitney-Johnson says. “They needed permission to use every single bead. But over the course of just one day, the girls began to open up. They began to make their own designs, to laugh, to share their favorite pieces with one another, and to look after each other’s children.”

As part of Emerge Global’s Beads-to-Business program, girls learn business skills as well as a craft.

As part of Emerge Global’s Beads-to-Business program, girls learn business skills as well as a craft.

Beading proved to be so therapeutic for the girls that Whitney-Johnson left Sri Lanka with a desire to help in a more substantial way, and Emerge Global was born. The program helps girls emerge into who they want to be, despite what they’ve endured. They make and sell jewelry on Artfire as part of the Beads-to-Business program, generating savings for their futures (50% of the selling price of each piece goes to the girl who made it) as well as business skills, leadership, and confidence. The girls also receive instruction in life skills and mentorship and are supported in transitioning back into communities after they leave the shelter.

Emerge uses a collaborative capital-creation model in which the girls generate income and learn how to manage that capital without risk. They are free to acquire new skills and build a business without having to worry about repaying a loan or incurring start-up costs.

Emerge Global was used as a case study in the recently published book, "Do Good Well: Your Guide to Leadership, Action, and Social Innovation," which offers a step-by-step guide to effecting social change.

Emerge Global was used as a case study in the recently published book, “Do Good Well: Your Guide to Leadership, Action, and Social Innovation,” which offers a step-by-step guide to effecting social change.

To date, Emerge Global has helped more than 315 girls overcome trauma in their lives and become stronger, more empowered women.

“Some have utilized their skills and resources to build houses, run businesses, go back to school, and support their children,” Whitney-Johnson says. “We believe that by equipping these girls with the tools that they need to lead healthy, self-sufficient lives and to become leaders in their communities we can build a movement where these young women will end abuse in their spheres of influence.”

Whitney-Johnson’s goal for emerge is to be locally run and completely self-sufficient. To that end, Emerge created its own local implementing partner, Emerge Lanka Foundation, a separate legal entity with a local board that works with groups already running shelters to improve support for Emerge participants. “We want to transform these shelters into dynamic entrepreneurship hubs and learning centers where girls gain something really special,” Whitney-Johnson says.

Eventually, she dreams of helping girls across Sri Lanka. For now, Emerge is focusing on helping current participants and alumnae succeed in transforming their lives, increasing local sales and fundraising, and building the Emerge Lanka Foundation. They got a little help last year, when Miss Sri Lanka became their celebrity spokesperson and Emerge was featured on the cover of the country’s biggest popular-culture and society magazine. The press and word of mouth from mentors and alumnae have starting building awareness for the plight of sex-abuse survivors as well as changes in attitudes toward them, Whitney-Johnson says.

Emerge Global was also used as a case study in the recently published book, “Do Good Well: Your Guide to Leadership, Action, and Social Innovation,” for which Whitney-Johnson authored a chapter. The book has received great reviews from the likes of  Nobel Laureate Muhammad Yunus and Pulitzer-Prize-winning journalist Nicholas Kristoff, among others.

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Happy Earth Day! As you read this, teams are vying to be named champions in the annual MIT Earth Day Challenge this week. Many community members will contribute to the (rescheduled) 14th annual Charles River Cleanup this weekend.
earth day_transparent1

Being a school on a shoreline, MIT’s celebration of Earth any day is also, quite often, a celebration of the water, and in particular, the Charles River.

Like so many civilizations before us, MIT’s has been built upon a river.

How does this river sustain our work? Ocean engineering majors can tell you; they surveyed the muddy Charles’s depths in 2007. Civil engineers plumb its depths annually: check out this 2012 project to destratify it with turbulent jets.  Art, Culture,and Technology Associate Professor Gediminas Urbonas designed last winter’s IAP “Learning from the River” around it. CSAIL’s lecture series bears its name.

There was Proteus the penguin boat and the pre-Columbian raft. We’ve done sonar tests, problem sets with fictional “Charles River” companies, studied ice patterns, and silt formation.

And the Charles is our playground, too, as any runner, rower or sailor will attest. Maybe you played the MUVE game “Charles River City” a few years back, or watched the 4th of July fireworks from any available rooftop.

Always moving and yet always still, the Charles is a muse for photographers, romantics, barflys, philanthropists, and soul-searchers. Remember how Ernie Knight ’28, for his 70th reunion, took a single scull out for one more row?

2011_sunset_charles_small

Photo: Lydia Krasilnikova.

Seems logical to trek out there once a year—at least, to work on keeping the Charles clean.

In a unique sense of the word, the Charles River is also an MIT invention. Karl Haglund’s 2002 book, Inventing the Charles River, is a great exploration into how engineers (MIT alums included) shaped Boston and Cambridge’s shorelines over the years into a “Back Bay” with stabilized riverfronts. How would one’s MIT experience be different, do you think, if we looked out at mud flats and salt marshes every day?

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Lisa Song '08, SM '09

Lisa Song ’08, SM ’09

Lisa Song ’08, SM ’09 won the 2013 Pulitzer Prize for National Reporting along with two other writers working for InsideClimate, a web-based news organization that covers clean energy, carbon energy, nuclear energy, and environmental science.

The Pulitzer honored their reporting on problems with the regulation of America’s oil pipelines, focusing on potential ecological dangers posed by diluted bitumen (or “dilbit”), a controversial form of oil.

Song, who earned an undergraduate degree in earth, atmospheric, and planetary sciences and then a master’s degree in MIT’s graduate program in science writing, coauthored articles on “The Dilbit Disaster: Inside the Biggest Oil Spill You’ve Never Heard Of.” That project explored the million-gallon spill of Canadian tar sands oil into the Kalamazoo River in 2010 and examined broader pipeline safety issues.

Of course the writing program is cheering.

“We are thrilled to hear that Lisa is part of the talented journalistic team that has contributed so brilliantly to the national media discussion of our environmental future,” says Jim Paradis, head, Comparative Media Studies/Writing Department. “I congratulate Lisa and all the members of the MIT Graduate Program in Science Writing who helped her on her way.”

Another MIT SHASS science writing alumna, Carolyn Johnson SM ’04, was part of the Boston Globe team that was a finalist in that same category. The team was  cited for their coverage of the deadly national outbreak of fungal meningitis traced to a compounding pharmacy in suburban Boston, revealing how the medical regulatory system failed to safeguard patients.

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