Modern Geekhood

Photo: Chelsea He SM '10

Photo: Chelsea He SM ’10

For many MIT students, the Bose Corporation is an audio equipment company whose speakers hang on their dorm room or apartment walls. In truth, the connection between Bose and MIT dates back more than 65 years.

In 1956, graduate student Amar Gopal Bose ’51, SM ’52, ScD ’56 purchased a stereo system. Disappointed with the stereo’s sound quality, Bose began researching acoustics and reverberant sound. He continued his research as an MIT professor and was awarded several patents on speaker technology. In 1964, he founded the Bose Corp.

As of April 2013, the company has eight operating plants and more than 150 stores worldwide.

“Most students don’t realize Bose is a company that began at MIT,” Lee Zamir ’95, SM ’97, Bose director of new business development, says. “We’re a startup in every way—innovation, making good devices even better, and producing new products.”

The Galactic Goats, most resilient team winners. Photo: Chelsea He SM '10

The Galactic Goats, most resilient team winners.
Photo: Chelsea He SM ’10

After Bose retired from MIT in 2001, the on-campus connection between Bose and the Institute diminished. Zamir wanted to change that.

In 2011, he connected with Associate Professor Olivier de Weck SM ’99, PhD ’01, whose fluid dynamics course features the annual Unified Engineering Flight Competition (UEFC), where student teams design miniature airplanes and control their movement around various obstacles.

Past UEFCs had never included a sound component. For the 2013 competition, under the guidance of Zamir and Bose engineers, the students  were required to fly their plane towards a beacon tower and chirp out M-I-T in Morse code. Another task involved jamming a target receiver with audio. Points were awarded for time and decibel level.

“The contest combined system design with flight precision,” Zamir says. “A plane’s speaker system needs to be lightweight and in the perfect spot. Otherwise it won’t fly.”

The competition was held in the Johnson Center and featured more than a dozen teams of four. The top three teams were recognized (“Supersonic ExitVelocity” took first place) as were the most resilient team and the most creative design.

Photo: Chelsea He SM '10

Photo: Chelsea He SM ’10

In addition to the UEFC, the students received a lecture on the elements of acoustic design. The competition also allowed Zamir and other Bose employees who are MIT alums the chance to return home.

“It’s great to get back on campus—especially to do innovation-based work,” he says. “We were looking to make the Bose and MIT connection even stronger and this was a perfect way to do it.”

While Amar Bose is best known as the company’s chairman, at MIT he was known as Dr. Bose, and a seat in his electrical engineering courses was highly coveted.

“When I was a student there in the early ’90s, there was always a fear that he could stop teaching at any time,” Zamir says, “We’d check the schedule, and when he saw his name, we’d register right away.”

In 2011, Bose donated a majority of the company’s non-voting shares to MIT (with a caveat that the shares never be sold) to help advance MIT’s research mission. Read the MIT News story.

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The Twouija: Retweet Oracle (Image: http://tweet.tarikmoon.com)

The Twouija: Retweet Oracle (Image: tweet.tarikmoon.com)

Who’s more influential among their Twitter followers, Barack Obama or Kim Kardashian? You might not want to find out.

While Obama outnumbers Kardashian in total followers, 32.6 million to 17.9 million, research by MIT alumni suggests that Kardashian’s tweets may have a much stronger effect on her social media audience.

A group of researchers that includes MIT Assistant Professor Tauhid Zaman ’04, MEng ’05, PhD ’11 and University of Washington Assistant Professor Emily B. Fox ’04, MEng ’05, EE ’08, PhD ’09 have created a prediction tool that can estimate a person’s rate of being retweeted.

The tool—which the team calls “The Twouija” (rhymes with Ouija)—predicted that an April 15, 2012 Kardashian tweet would generate about 800 retweets in about an hour while an Obama tweet from the same day would generate about 440.

The Twouija predicts the popularity of a tweet shortly after posting. According to the study, most Twitter messages have the same lifespan of newsworthy-ness and a tweet’s popularity can be predicted within the first five minutes.

From “A Bayesian Approach for Predicting the Popularity of Tweets:

We measure the popularity of a tweet by the time-series path of its retweets, which is when people forward the tweet to others. We develop a probabilistic model for the evolution of the retweets using a Bayesian approach, and form predictions using only observations on the retweet times and the local network or ‘graph’ structure of the retweeters.”

Tweets from President Obama, seen here at MIT in 2009, are retweeted hundreds of times within minutes.

Tweets from President Obama, seen here at MIT in 2009, are retweeted hundreds of times within minutes.

The group has showcased their research at a website they call The Twouija: Retweet Oracle, which graphs the timespan of retweets (actual and predicted) from the Twitter messages of 40 well-known personalities such as Seth Meyers, Diddy, and Newt Gingrich. (Hey—where is @mit_alumni?)

Retweets predictions for musicians Will.I.Am and Pitbull were effective, but much like its Ouija namesake, the oracle is not always precise. In one model, it estimated that a tweet from Eva Longoria would be retweeted 254 times within 60 minutes. In reality, it was only retweeted 183 times.While retweet prediction is scientific, it’s also subjective. Much depends on the content of the original tweet.

As Zaman notes in the report, an efficient retweet predictor has serious implications for understanding more about internet virality and how social media revenue models can be better monetized. (In June 2012, Kardashian was paid $10,000 for a tweet about shoedazzle.com.)

Despite Kardashian’s online popularity, she did not have the highest prediction of retweets in the Twouija’s sample. That honors goes to The Rock, whose April 15, 2012 tweet, “Good morning! Enjoy your Sunday. #Faith,” had more than 850 retweets within the first sixty minutes. (The Twouija predicted about 1,000.)

Read the heavily scientific 28-page paper, “A Bayesian Approach for Predicting the Popularity of Tweets,” which also includes research from University of Pennsylvania Professor Eric T. Bradlow, at the Cornell University online library.

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Artwork by the MIT Glass Lab (Screenshot via MIT News)

Artwork by the MIT Glass Lab (Screenshot via MIT News)

MIT is a few days removed from Commencement and Tech Reunions activities and the campus is noticeably quieter. But if there’s any worry about a lack of Institute events to partake in—fear not!

A great example of summer fare is GlassBoston, a four-day event co-organized by the MIT Glass Lab that begins on Thursday, June 13. The event includes glass-blowing lectures, exhibitions, and workshops featuring MIT faculty and alumni.

The MIT Glass Lab, which is connected with the Department of Materials Science and Engineering, is advised by Professor Michael Cima, whose lecture at the conference, “Shape Matters,” will discuss the unique qualities of glass from a materials science perspective.

Other MIT-related demonstrations at GlassBoston include:

  • Photo: MIT Glass Lab

    Photo: MIT Glass Lab

    “Folding Glass,” which features Professor Erik Demaine and visiting scientist Martin Demaine (both accomplished origami artists), who will discuss their work in the mixed media of paper and glass, their folding glass experiments, and “Virtual Glass,” their open-source software program for glass blowers. (The Demaines will also participate in a demonstration on Friday, June 14.)

  • “CAD and Rapid Prototyping for the Modern Glass Artist,” which features a panel including postdoctoral associate Kenneth Cheung SM ’07, PhD ’12 that will discuss CAD (computer-aided design), prototyping technologies, and associated software.

The conference will also feature demonstrations in the Glass Lab and tours of the MIT Media Lab and its public art collection.


[Watch another video, "MIT Glass Lab: Where art meets science," from the MIT News Office.]

A Glass Lab pumpkin (Photo: MIT News)

A Glass Lab pumpkin (Photo: MIT News)

The Glass Lab, which serves as an extracurricular activity on campus, is located in the basement of the Infinite Corridor. It offers numerous classes and events to the MIT community, including the Transcultural Exchange, a collaborative glass tile project with other universities, and the Great Glass Pumpkin Patch, an annual fall event that showcases more than 1,000 glass-blown pumpkins in the Kresge Oval.

The lab’s 11-person staff includes Cima and four MIT alums: Whitney Cornforth ’01, SM ’01; Chris Laughman ’99, MEng ’01, PhD ’08; Sandy Martin SM ’93; and Michelle Trammel ’89.

In addition to the Glass Lab and Media Lab, GlassBoston’s events will also take place in 10-250, the Bush Room, and the MIT Museum. The conference will also feature demonstrations by accomplished glass artists Rik and Shelley Allen, Pablo Soto, Deborah Czeresko, and Wesley Fleming.

Registration, which is $60, is available on the GlassBoston site and in Lobby 10 between 8 a.m. and noon on June 13. The lectures in room 10-250 are open and free with an MIT identification card.

Bonus: Check out an MIT Glass Lab photo essay by Andrea Silverman ’05.

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Moustache_Hack_6What’s an MIT celebration without a hack? Commencement week and Tech Reunions week unofficially kicked off on Monday when a mysterious hack was unveiled in the Lobby 7 stairwell near the School of Architecture + Planning.

The hackers—perhaps soon-to-be alums intent on leaving a final mark on the Institute—placed fake noses and moustaches on a large portrait collage in the area between the first and second floor.

Moustache_Hack_5

Moustache_Hack_8It’s not known what kind of strategy (if any) was behind the hack. Did the hackers deliberately place disguises over specific faces while other mugs remained unscathed? Or was it a hasty moustache-and-dash attack?

Confusing things even more: Who are these people in the photos?

A Slice investigation has turned up scant information. One ongoing lead suggests that the portraits are from the early ’80s. A non-desecrated face in the lower left-hand corner has been identified as Jeffrey Schiff (not pictured), an architect who exhibited his work at MIT’s Hayden Gallery in 1983.

Moustache_Hack_3Slice is stumped so we turn to the MIT alumni community. Can you identify anyone in these photos or ascertain its origin? Are you in these photos, and if so, do you look better with a moustache?

If you have any details on the hack or the photos, leave us a note in the comments below or on Facebook or Google+. We’ll update this post as we receive more information.

Update: Thank you to our intrepid readers Larry DeMar ’79, Meredith Warshaw ’79, Council for the Arts at MIT director Susan Cohen! According to the trio, the photo collage was installed between 1978 and 1979, possibly through a grant from Council for the Arts. The photo features many then-students, including DeMar, whose picture (taken in 1978) was among those ’stached in the hack.

Moustache_Hack

For more hacks, check out the MIT Hacks Gallery and this blog’s archive of hack-related posts.

Photo credits: Emily Kathan and Jay London

This is not first moustache-related hack in recent MIT history. In 2011, two hacks chronicling the Movember movement faced each other on either side of Mass. Ave.

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From left to right: Ethan Fenn, Eitan Glinert, and Sharat Bhat of Fire Hose Games.

From left to right: Ethan Fenn, Eitan Glinert, and Sharat Bhat of Fire Hose Games.

You may know the family-friendly video games Slam Bolt Scrappers for the PlayStation Network and the PC, or a new iPad and PC game Go Home Dinosaurs, which made it onto the top five iOS games sold this week. But did the name of the studio that makes them—Fire Hose Games—sound familiar?

“It’s an MIT reference: ‘learning at MIT is like drinking through a fire hose,’” explained Eitan Glinert ’05, MNG ’08, co-founder of Fire Hose Games, an independent game studio near Kendall Square. In 2008, Glinert co-founded the company with Sharat Bhat ’08.

Glinert and Bhat met in MIT’s GAMBIT Game Lab program (now called the MIT Game Lab). When Glinert decided to found a studio, Bhat was a natural choice for partner.

Then Trey Reyher ’09, a producer at GAMBIT, introduced Bhat and Glinert to Ethan Fenn ’04, an audio designer who soon joined the Fire Hose team.

Ethan Fenn, audio designer at Fire Hose Games.

Ethan Fenn, audio designer at Fire Hose Games.

“I used to work at Harmonix,” said Fenn. “So, when we were starting up here, we reached out to Eric Malafeew [SM ’93], the technical director over there.” The Fire Hose team just wanted advice, but instead they got an assignment. Malafeew and Harmonix Music Systems co-founder Eran Egozy ’95, MNG ’95 recruited them to work on the game Dance Central and, later, Rock Band Blitz.

Fire Hose Games has grown by now into an independent studio in its own right, with more than a dozen employees. Glinert credits MIT Venture Mentoring Services with the company’s success as a start-up, noting that VMS helped him with issues from “how do I get money?” to “Oh my god, I have to pay taxes!”

“When you make games as an indie developer, it’s really easy to be in your own bubble,” said Glinert. “It’s really easy to just focus on what you’re doing and think, ‘nobody else has to deal with these problems.’ Having that larger community acts as a safety net, and that matters a lot.”

Fire Hose Games has spent the month since their release of Go Home Dinosaurs doing a series of internal game jams to inspire ideas for future projects. Each employee gets assigned to a partner at random, and no one knows the game jam theme ahead of time. Each pair must start from scratch and make a game in three days. “We’d rather come in and come out with fresh stuff,” Glinert explained.

You can buy the iPad verison of Go Home Dinosaurs from the App Store, or you can purchase it for the PC.

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Thad Starner

Thad Starner

As a student at MIT, Thad Starner ’91, SM ’95, PhD ’99 longed for cyborg eyes like the Terminator had—but only to make studying easier. Now, Starner is the technical lead and manager on Google’s Project Glass, and he has been using a wearable computer in his everyday life for 20 years. In a half-hour talk before a screening of Terminator 2 at the Coolidge Corner Theatre, Starner cited his experience seeing the film as an MIT sophomore as a partial inspiration for his future work.

“For me, note-taking was the number one reason of having a wearable computer and having this head-up display,” Starner explained to the packed house at the Coolidge on May 20, 2013. “Not very sexy, is it?”

Starner found it difficult to remember his professors’ lectures, but he also found his own handwriting impossible to read. “Believe it or not, back then, MIT professors often would not allow notebooks in class because the typing was too distracting,” Starner explained.

So, Starner began to use an early wearable computer, supplemented by a Twiddler, a small keyboard designed for one-handed use.

A handful of Starner’s fellow MIT friends caught on to wearable computing as well, but not just in class. Some used their headsets to communicate during hacks.

“One of the guys was hacking around on the Great Dome one night, and some campus policeman came by and scared away his spotter. He couldn’t call the elevator. So, he’s on top of the Great Dome—this is 1996—and he’s sending messages out saying, ‘Help, somebody send up an elevator, I’m stuck on the Great Dome.’ The people on the Athena terminals—remember, there were no mobile phones, no mobile smartphones, laptops barely existed—people on the Athena terminals said, ‘Ha, ha—if you’re on the Great Dome, how can you be typing this?’

This scene from Terminator 2, which shows the Terminator's augmented reality display, inspired Starner's later work.

This scene from Terminator 2, which shows the Terminator’s head-up display, inspired Starner’s later work.

“He spent the next half hour convincing the people on Athena that, yes … he was one of those guys you see wandering around with a display on.”

What can wearable computing do that can’t be done with current mobile devices?

“This is what Larry Page said to me very early on with Project Glass,” Starner said. “[We’re] reducing the time between intention and action. I found a lot of studies that showed access time to your smartphone was really the barrier to use.”

Starner explains, by example, that people who still use wristwatches “have relegated time to their wrist.” So, Starner’s hope for Project Glass is that everyday tasks – “like, say, checking the weather, or seeing an SMS, or email” will become as accessible and easy as looking at a wristwatch.

Google’s first trial round of 2,000 Glass users recently picked up their new tech, and the 8,000 winners of Google’s recent “How I’d Use Glass” contest have earned the chance to participate in the Glass Explorer program. Keep your eyes peeled for nascent cyborgs in the wild.

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As Slice of MIT readers know, hacks come and go on MIT’s campus as casually as pickup basketball games might elsewhere. The current issue of Fast Company magazine credits MIT with coining both the first benign and the first pejorative uses of the term.

As for “hack days” and “hackathons,” sources trace these lengthier events—devoted to hacks ranging from frivolous to useful—back a decade.  National Civic Day of Hacking

And at least five years old is the term “civic hacking,” in which individuals or groups apply their love of technology or data to civic issues they are passionate about.

This weekend, the White House intends to put civic hacks and hackers on a national stage with the National Day of Civic Hacking.

Despite President Obama’s statement in March that hacking has become “a big problem” after First Lady Michelle Obama’s financial information was compromised, the White House clearly sees the value in celebrating the word’s positive connotations and getting the most out of crowdsourcing data for public good. In February, it hosted a day-long hackathon, which MIT Center for Civic Media RA Catherine D’Ignazio attended.

The White House Office of Science and Technology Policy and its Office of Digital Strategy are co-sponsoring this week’s event, which, according to its website, will use “publicly-released data, code and technology to solve challenges relevant to our neighborhoods, our cities, our states and our country.”

That’s much in line with how the Tech Model Railroad Club first used the term hacker in the 1950s, to indicate someone “who applies ingenuity to create a clever result.”

Ahead of the weekend event, government agencies have listed dozens of challenges the country faces in the years ahead: affordable housing, safe drinking water, crime, and malnutrition, to name a few. Hackers have uploaded publicly-released data sets to the website as a reference library.

Organizations in 38 states (to date) have listed their hackathon events. On campus, this includes UndocuTech, a collaborative effort between United We Dream and MIT’s Center for Civic Media. Becky Hurwitz, the center’s codesign facilitator and community organizer, is leading the effort to “use media and technology to support immigrant rights.”

“The National Day of Civic Hacking is an excellent opportunity to bring civic hackers and immigrant rights advocates closer together,” says Hurwitz. “The hacker community has historically been a great ally of social movements and a force for change, so this is a good opportunity to connect with more allies!”

If this first annual event takes off, with thousands of hackers cracking patriotic code, will the term finally return to its roots?

 

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Just as Anime Boston is filing the streets with cosplaying fans this weekend, The Tech has published an eight-page special section on what MIT students like to do for fun. An undergraduate survey revealed fandom pursuits, cosplay costuming tips, plus literature, film, and TV favorites. Download a PDF for statistics and visuals or enjoy a few highlights:

Iron Man suit

The Iron Man suit was created by Brian Chan ’02, an instructor at the MIT hobby shop. Photo: The Tech.

Time to Pretend

Editor Jessica Pourian reports that 30% of surveyed students say they have dressed up as a character, for example as Harry Potter or Dr. Who. While many may casually throw a Gryffindor scarf over their shoulders, others plunge deep into costume play or cosplay. Constructing great costumes can be timeconsuming, so some students and parents are concerned cosplay could interfere with classwork. One student said her parents called it a “time sink” but begged for photos afterwards. Read the article to learn how students pick characters and construct costumes.

Faculty Interviews

Find out what Robert Langer and other professors like to watch on TV. Or find out how Flourish M. Klink, a lecturer in MIT’s Comparative Media Studies program, has built a life around fandoms.

Fandom by the Numbers (see the PDF):

• Top rated among 30 TV/film titles: Harry Potter, The Avengers, Lord of the Rings, and Batman

• Hogwarts home of choice: Ravenclaw is most popular with 45%

• Favorite original pokemon character: Charizard

Star Wars vs. Star Trek: Overall, Star Wars triumphed (with 3.76 over 3.47 on a five-point scale) but Trekkies prevailed in certain living groups and one course.

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Like any engineer who has sat in traffic, Gregor Hanuschak MBA ’08 has dreamt of ways to ease the car-commuter’s diurnal ordeal in major cities.

While earning his degree at Sloan, another master’s at Stanford, or in his work for Lockheed Martin and NASA in California and Washington, DC, Hanuschak has sat in plenty of traffic jams.

Even though studying traffic patterns and public transportation solutions are worthy pursuits, Hanuschak wants to relieve drivers’ stress with song—percussion, to be exact.

Smack Attack

The Smack Attack steering wheel drum set. Photo: Gregor Hanuschak.

Launched in April, Hanuschak’s Smack Attack project Reinventing the Wheel aims to do even more for drivers than just cure boredom. A “drum set for your steering wheel,” Smack Attack claims to be a remedy for zoned-out drivers.

The device is easy to use: wrap the flexible drum pad around your steering wheel, plug into your phone’s music library (or use a wireless FM transmitter) and start drumming along.

“Experiencing highway hypnosis firsthand while driving across the US inspired me to design something to fight it and keep drivers alert,” writes Hanuschak on his Kickstarter page. “Sleep researchers are finding the best way to fight highway hypnosis is through auditory or tactile stimulation… and this product provides both!”

The project has drawn the attention of the Discovery Channel, Wired, and dozens of other media outlets. Hanuschak has already raised more than $10,000 for the combination device/app concept.

Hanuschak will put his studies in music, computer engineering, and business to practice as he develops and markets the product this year. He has produced the code for the Smack Attack’s smartphone app, produced music and videos to promote the device, and created a community portal on his website for users to share drum sounds and songs.

“Right now I’m trying to bring my costs down,” Hanuschak said earlier this week, “so I’m now learning from the experts. I’m working with the MIT Venture Mentoring Service for advice on this and entrepreneurial advice in general.”

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Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

More than 200 MIT community members armed with LED-enhanced umbrellas took to MIT’s Jack Barry Field on Sunday, May 19, 2013, for “UP: The Umbrella Project,” a collaboration between the MIT CSAIL Lab and the Pilobolus dance troupe.

Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

During the UP live performance, each participant was provided with an umbrella equipped with red, green, and blue lights. Each participant used a CSAIL-designed controller to manually change the umbrella’s color throughout the performance and—guided by Pilobolus—walked throughout the field and created what CSAIL called “an ever-changing display of live art.”

Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

A roving camera was located above the participants and images from the camera were projected onto a large inflatable screen. (Check out the Boston Globe’s video coverage of UP.)

Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

Kyle Gilpen '06, MNG '06, PhD '12, a CSAIL post-doctoral associate, says that lab’s research goal is to monitor the "human-robot dance" and match the umbrellas’ robotic algorithms with the behavior of the attendees.

From CSAIL:

"Our work deals with developing algorithms that allow robots to operate independently within a large decentralized network so that the robots can coordinate and work together to accomplish a common task. Through UP, we can study the behaviors of large groups, which can be applied to our research in robotics."

Slice_pic_3

Photo: Emily Muldoon Kathan

UP marked CSAIL's second collaboration with Pilobolus, a renowned dance collaborative that has performed on the Academy Awards, Oprah Winfrey, and Late Night with Conan O'Brien. In 2012, the groups created Seraph, a performance piece involving human dancers and live robots.

Photo: Emily Muldoon Kathan

Photo: Emily Muldoon Kathan

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